Death Valley: Extremes
by Buzz Poole “This
all means something,” my friend confidently said as
he raised his hand up out of the water and swept it
over the shallow brook’s rippling surface like a game
show model displaying prizes. Nigel sat where only
minutes before I had sought respite from the heat
in the tepid water a couple hundred feet beneath sea
level. We were in Death Valley at a shaded rest area
in the spring fed oasis of Furnace Creek. My friend
was not necessarily referring to the idyllic offering
of shade with its water supply burbling by the palm
trees and aluminum picnic benches set in the midst
of this stunning setting, but in a way it was exactly
what he was referring to.
Both of us had needed a break. So we set off from
Berkeley early one morning -- myself a bona fide urban
junky, no stranger to the woods, however, or to wiping
with rocks and leaves for days on end; my friend a
photographer who resists snapping shots of people
and the only person I have ever met who read Finnegan’s
Wake and can offer original thoughts on it, a true
man of nature. With a Coleman stove, several gallons
of water, a few bottles of red, that’s wine and Mr.
Johnnie Walker, a big bag of peanuts, and a couple
packs of soba noodles along with the requisite gear
for a week long car-camping trek the two of us set
out.
Extreme: This emerged as the theme for the trip and
although we did not bungee jump or hang-glide I could
not fathom a more apt word. The eastern region of
the Sierra Nevada Mountains that gives way to the
stark expansiveness of Death Valley is extremity in
more ways than temperature shifts. With a difference
of 14,776 feet between Mt. Whitney, California’s zenith
standing stalwartly at 14,494 feet, and the nadir
of the lower 48 languidly lurking in the salt flats
of Badwater Basin at –282 feet below sea level, extreme
conditions are what give the area its character.
In Death Valley we adapted the way of animals and
waited daytime out in the shade. Under the sun very
little stirs aside from flitting sparrows and desert
brush chaffing in the oven heat breeze. The heat overtakes
everything. It induces addled conversations. Over
the course of our three days there dialogues ranged
from emailing consciousness to the anathema of air
conditioning and its detrimental nature in an appreciation
of the sublimely severe landscape.
“Did you hear that sound? It’s like cracking ice.”
I was trying to unscrew my water bottle. We had spent
the first night of our trip just above Mono Lake.
“Oh you’re getting soft, man. You’ve been in the Bay
Area too long,” parried Nigel. His doubt froze overnight,
along with our water and veggies and my poor toes.
The surprise was not that kind of shock that emerges
from being totally unprepared for something. We had
both known to pack clothes suitable for temperatures
varying from freezing to 100° since the tentative
route included high mountain passes, glacial lakes,
and craggy desert canyons.
In the frigid sunrise, that glaring steely light still
an hour away from generating any warmth, it wasn’t
the actual temperature that confounded us but the
ease from which we had ascended from the moderate
clime of sea level to alpine altitude, along with
the knowledge that in a scant few hours we would delve
into the desert, a world apart from the pine forests’
glow. We were out in it though. The coarse potpourri
of pebbles and stones poking at our ground pads, the
dry bloody boogers that rattled out of our noses in
the desert, the desiccated strands of hair sere like
straw, we were living in these conditions; we embraced
them.
If it had been but panoramic snapshots and trite trinkets
we were after, we could have stayed at home and downloaded
images and ordered memorabilia without missing any
messages or sleep. Doesn’t it make sense, especially
in light of the casual conditions that deposit us
from one scene to another, that when we arrive, we
should go out and fully devour it with our senses
-- touch it, smell it, feel it, enhance everything
we see with more than just our eyes?
The next night we spent in the foothills of the Sierras.
Under the night shadow of Mt. Whitney the Alabama
Hills (famed location for numerous movies and SUV
commercials) hosted our meanderings, providing the
ideal temperature: t-shirts at night but when bed
time arrived cool enough to scrunch up in the sleeping
bag making getting out of it difficult. We crawled
through outcroppings, watched the night, drank scotch,
and considered history and time, from plate tectonics
to Gunga Din and Nissan Pathfinders: the earth, colonialism,
capitalism, technology all wrapped-up into a single
night under the stars. Absorption. Reaction. Call
and response.
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